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The Enduring Villagers of Beit Safafa: A Life Lived through Division

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Ali Issa Othman from Beit Safafa stands with his uncle from al-Jib in a 1930 outdoor portrait, wearing formal suits, with the village landscape in the background.

Credit: 

The Palestinian Museum Digital Archive, Item 23649

Musa Ahmad Othman, father of Mustafa Othman from Beit Safafa, stands with a group of British army soldiers and personnel in Palestine in 1943, reflecting local interactions during the late Colonial British Mandate period.

Credit: 

The Palestinian Museum Digital Archive, Item 23633

Ali Othman from Beit Safafa, Jerusalem, Palestine, stands in his graduation gown, marking his achievement of a PhD during the late Colonial British Mandate period.

Credit: 

The Palestinian Museum Digital Archive, Item 23665

A portrait of Fathiyya Othman, a young Palestinian girl from Beit Safafa, Jerusalem, who was killed during the 1948 War

Credit: 

The Palestinian Museum Digital Archive, Item 23742

Two men from Beit Safafa, Haj Saeed Abaad and Sami Othman, pose outside a house in 1958, a simple front-yard moment preserved in color.

Credit: 

The Palestinian Museum Digital Archive, Item 23597

Hamda al-Saleh poses with her children, Ali, Ibrahim, and Khalil, in Beit Safafa, Jerusalem, 1960.

Credit: 

The Palestinian Museum Digital Archive, Item 23667

Hamda al-Saleh in traditional dress stands beside Majida al-As in front of a house in Beit Safafa, Jerusalem, in 1960, capturing everyday life and local attire in the village.

Credit: 

The Palestinian Museum Digital Archive, Item 23641

A 1962 color photo shows a Palestinian wedding in Beit Safafa with guests gathered on both sides of the separation fence that divided the village under Jordanian and Israeli control.

Credit: 

The Palestinian Museum Digital Archive, Item 23585

Separated by a fence but refusing isolation, women from Beit Safafa gather on both sides of the divided village during a 1962 wedding, turning a divided space into a shared celebration and insisting on staying present in each other’s lives.

Credit: 

The Palestinian Museum Digital Archive, Item 23586

In 1962, Beit Safafa residents turned the armistice division into a bridge: wedding guests cross the separation fence to share in a celebration, showing how families persevered through imposed borders to remain part of each other’s lives.

Credit: 

The Palestinian Museum Digital Archive, Item 23591

At a 1962 wedding in Beit Safafa, women stand on both sides of the separation fence that divided the village at that time, determined to share in the celebration together despite imposed barriers.

Credit: 

The Palestinian Museum Digital Archive, Item 23688

A 1962 photograph of men and boys from Beit Safafa: Rasheed, his brother Othman Barhoom, Musa Othman, Mustafa, Mutheer, Majd, Khalid, and Saqer, capturing multiple generations standing together as a testament to community bonds in the village

Credit: 

The Palestinian Museum Digital Archive, Item 23663

In 1964, young men, Majed Musa Othman on the Jordanian side and Musa Ibrahim Janah, Tawfiq Othman, Omar Othman, and Shawqi Othman on the Israeli-controlled side, stand separated by the fence, a quiet testament to how the village’s social ties persisted even when borders cut through daily life.

Credit: 

The Palestinian Museum Digital Archive, Item 23675

A 1964 portrait of Ahmad Khalil Othman al-Zajjal and his wife, Ghaliya, in Beit Safafa, Jerusalem, capturing a couple rooted in place and time, embodying everyday life and continuity in their village amid broader historical turmoil and disruption.

Credit: 

The Palestinian Museum Digital Archive, Item 23644

A 1965 color photograph of Meriam from Beit Safafa in traditional Palestinian dress, her expression marked by the grief of losing her son who lived in Kuwait, showing personal loss within broader community life.

Credit: 

The Palestinian Museum Digital Archive, Item 23623

In 1965, residents of Beit Safafa held a wedding that crossed the separation fence between the Jordanian-administered and Israeli-controlled sides, showing how families and communities persevered in celebrating life together despite the enforced physical division of their village.

Credit: 

The Palestinian Museum Digital Archive, Item 23690

From the same 1965 wedding in Beit Safafa, guests and relatives gather across the separation fence, turning a divided space into a communal celebration that shows how village life continued despite physical barriers.

Credit: 

The Palestinian Museum Digital Archive, Item 17360

In 1966, a bride, Halima, stands behind the separation wire in Beit Safafa with others, including Mufidu Zamhmaj Abushanab and Umm Aref Othman, an ordinary wedding moment made extraordinary by a fence running through the village.

Credit: 

The Palestinian Museum Digital Archive, Item 23634

Mustafa Othman’s family, his late mother, Sabha Othman, Dr. Khalil Othman, and his sister Nuha, gathered in front of their home in Beit Safafa in 1977, showing warmth, resilience, and everyday family life after the village’s reunification a decade earlier when Israel occupied East Jerusalem in 1967

Credit: 

The Palestinian Museum Digital Archive, Item 23604

A Beit Safafa woman stands outside her home in traditional dress, identified as the wife of Haj Khader Jum‘a, a member of the village council.

Credit: 

The Palestinian Museum Digital Archive, Item 23608

Sa‘da al-Sa‘ida from Beit Safafa in traditional peasant dress holds chicken feed, a moment that reflects daily village life, work, and rootedness in community even decades after major upheavals.

Credit: 

The Palestinian Museum Digital Archive, Item 23618

Mustafa Othman stands with his mother, Sabha, his brother Dr. Khalil, and his sister Nuha in front of their home in Beit Safafa, Jerusalem, in 1977, decades after the village’s division.

Credit: 

The Palestinian Museum Digital Archive, Item 23621

Tamam al-Qasim, Fatima al-Shalabi, and Mariam Khalil stand by a traditional tabun oven in Beit Safafa, capturing a moment of daily life and communal work rooted in local culture in 1977, a decade after the end of division.

Credit: 

The Palestinian Museum Digital Archive, Item 23629

Yousef Abed-Rabbo, a respected figure from Beit Safafa, Jerusalem, 1977

Credit: 

The Palestinian Museum Digital Archive, Item 23619

Beit Safafa, photographed in 1977 from the roof of Mustafa Othman’s home, an everyday village skyline captured from within

Credit: 

The Palestinian Museum Digital Archive, Item 23626

Mustafa Othman from Beit Safafa stands on a podium with a microphone at a Bethlehem University graduation ceremony, 1978.

Credit: 

The Palestinian Museum Digital Archive, Item 23668

Mustafa Othman and his wife on their wedding day in Beit Safafa, December 23, 1978

Credit: 

The Palestinian Museum Digital Archive, Item 134463

Mariam Othman from Beit Safafa meticulously stitches a traditional Palestinian embroidered dress (thobe).

Credit: 

The Palestinian Museum Digital Archive, Item 23627

Mustafa Othman with his son Musa in front of the iconic Dome of the Rock in Jerusalem, 1987

Credit: 

The Palestinian Museum Digital Archive, Item 23630

This Photo Album brings together a selection of family photographs from Beit Safafa, drawn entirely from the personal photos of Mustafa Othman, who spent decades preserving, labeling, and safeguarding images of his family and village.1 The images do not aim to explain the village from a distance or through major political events. Instead, they offer an intimate record of people, homes, celebrations, and daily routines—moments that, taken together, tell the story of a village that lived through rupture without losing itself.

Beit Safafa was historically a cohesive Palestinian village on the southern edge of Jerusalem, where social life revolved around extended families, shared land, and communal rhythms. This continuity was violently disrupted after the Nakba in 1948, when the 1949 Armistice Line was physically imposed through the heart of the village, dividing the area between Israeli and Jordanian control. On the ground, this division took the form of barbed wire, fences, trenches, military patrols, and a border road that cut through homes, fields, and daily routes.

For nearly two decades, residents lived with a visible and enforced frontier running between their houses. Families were split overnight, land was rendered inaccessible, and ordinary acts such as visiting relatives, attending weddings, and crossing a street became regulated, dangerous, or impossible. Homes stood facing one another across the line, close enough for voices and gestures, yet separated by a border that transformed proximity into distance and reshaped daily life into a constant hurdle.

The photographs from this period show how villagers responded to this imposed reality. Weddings and funerals were held across fences, relatives gathered on opposite sides of wires, and people found ways to remain present in each other’s lives despite restrictions on movement. These images do not depict confrontation but persistence. They show a community that adapted its social life around the border without accepting it as legitimate or permanent.

After the 1967 Naksa, the physical barriers inside Beit Safafa were removed when Israel occupied and annexed East Jerusalem. Families were able to reunite, but the village entered a new phase marked by land confiscation, planning restrictions, and legal inequality. Later photographs in the album reflect this shift: family portraits in front of homes, women working, men gathered in courtyards, village views taken from rooftops. Life continued, but under new forms of control that reshaped space and possibility.

Throughout the album, ordinary moments carry historical weight. Women baking bread, embroidering dresses, standing in doorways, or posing in courtyards are not peripheral details; they are the backbone of village continuity. The emphasis on names, dates, and relationships reflects a conscious effort to preserve memory at the local level, resisting the erasure that often accompanies displacement and fragmentation.

Together, these photographs form more than a family archive. They document how Beit Safafa residents endured division, occupation, and transformation by continuing to live, gather, celebrate, and remember. Today, that endurance continues under new pressures: expanding roads and infrastructure projects cutting through village land, restrictive planning regimes that limit building and growth, and the steady encroachment of surrounding Israeli development. These challenges do not arrive as sudden ruptures but as slow, cumulative forms of control that reshape space and strain daily life.2 Yet, as these images remind us, the village’s history is not only found in borders and policies but in the quiet insistence of everyday life.

The images are all taken from the Mustafa Othman Collection in the Palestinian Digital Museum online archive. Mustafa Musa Ahmad Othman is a historian who was born in Beit Safafa in 1944. He authored three books on the history of Beit Safafa:

  • Ma‘alim qaryat Beit Safafa (The Monuments of Beit Safafa Village)
  • Tib al-manbat wa-safa’ al-qulub (Good Upbringing and Clarity of Hearts)
  • Shuhada’ Beit Safafa fi al-dhakira (The Martyrs of Beit Safafa in Memory) (1999)

As noted on the archive page:

“The Mustafa Othman Collection encompasses photographs and documents that reveal the stages that the village of Beit Safafa, located in the Jerusalem district, went through over the course of seventy years, and the influence of the ruling political authorities on the geography of the village and its fragmentation through the Israeli Apartheid Wall. The collection also includes documents related to the lands in the village and a record of its residents, including the historian Mustafa Othman, who witnessed the Palestinian Revolution during the periods of the British Mandate, the Jordanian rule of the West Bank, and the Israeli Occupation.”3

Notes

1

The Mustafa Othman Collection,” The Palestinian Museum Digital Archive, accessed December 15, 2025.

2

The Geopolitical Status of Beit Safafa Town,” Applied Research Institute—Jerusalem, August 2022.

3

“Mustafa Othman Collection.”

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