“In every one of its neighborhoods, there is a human imprint and a story of time. Its ancient schools, its elegant churches, its abundant mosques, and its people are kind and united in goodness. Its alleys and neighborhoods tell the story of time, about people who departed and left behind symbols of civilization and architecture,” Abdalla shares.
He continues, “One is proud to be a Jerusalemite. It is a symbol and an identity, a mosaic of pluralism, where hearts participate, cultures and peoples meet, customs and traditions mingle, and hearts gather in love for it, adoration for it, and adherence to its soil. It is Jerusalem, a name that was not written in dry ink to be erased, nor in liquid ink to be melted, nor in secret ink to disappear; it is the past, the present, and the future.”
Renowned Palestinian Jerusalemite writer Mahmoud Shukair expressed it to Jerusalem Story this way: “Jerusalem has a national and cultural identity. It is the city of all . . . . It is an identity that is open to humanity’s culture without fanaticism, intolerance, or exclusion.”11
Jerusalem’s unique plurality and identity has been eroded over time by Jewish nationalism—Zionism—and the physical remaking of the city to minimize the Palestinian Arab population and its historical ties. Never has this been more evident than today, as the occupiers of East Jerusalem wall off the city to its natural hinterland and render it virtually forbidden to Palestinians outside, transform the curriculum of the schools in their image, and refuse the creation of public events and space. Further, the occupiers deny Palestinians building permits and demolish the homes of those trying to find space to grow, seize land secretly through land registration, hem in and close off Palestinian residential areas, establish new settlements in every corner—even inside Palestinian neighborhoods—and levy exorbitant taxes on impoverished communities.
Unfortunately, in the collective imagination of the peoples of Europe and North America, Jerusalem is now coming to be treated as a Jewish city, influenced by the texts of the Torah and Zionist propaganda visible in literature and history.
Iraqi novelist Ali Bader recounts how he met Israeli writer Amos Oz at a conference, who boasted to him that Israeli authors had written 100 novels about Jerusalem. “How many novels had Palestinian and Arab writers written about it?” Oz taunted.12
This question provoked Ali Bader, who began gathering information about Jerusalem before visiting it, to write Jerusalem Lamps (Masabih Urushalayem), a novel published in 2006 where Palestinian academic Edward Said engages his own ideas on Orientalism in the narrative. Bader’s was not the only fictional treatment of Jerusalem from the Palestinian or Arab perspective; there were many. But it was the forced competition that stung.
This crisis of the Jerusalem identity is not new. Israel’s war on Iran and the resultant movement restrictions have simply brought it more starkly into the light. The tribal nature of these street fights is the most visible sign of this crisis.
The presence of Palestinians in the city of Jerusalem, despite all the obstacles, is what prevents Israel from confidently declaring a sustainable victory over the city. Nevertheless, a unifying Palestinian Jerusalemite identity, one that brings together the city’s many families and neighborhoods to confront the cultural and social challenges they face, appears to be fraying by the day.