One year, during Christian Holy Week, he notices various sects in a procession carrying their crosses on the Via Dolorosa (an ancient route in Jerusalem’s Old City that is believed to follow the route that Jesus took to be crucified).
Large crosses, flags, ornate robes, impressive beards, and decorated cortèges pass by through the narrow lanes, all moving toward the Holy Sepulchre.
Suddenly the adhan rises from some mosque. A very Jerusalem moment.2
Sarna’s observation captures an ordinary occurrence that most locals take as a given: this easy mingling of religious practices. Clearly, he is charmed by it.
Poring through the waqf records with the assistance of Nazir al-Ansari (the son of the hospice director), he begins to reconstruct the history of the hospice. In the past, there were many scattered Indian hospices, but in 1824, an Indian sheikh made the case for exchanging some of the properties with rooms adjacent to the hospice at Herod’s Gate to consolidate the services and management. Through that deal, the original hospice grew by seven rooms, a courtyard, and two water tanks.
In 1846, another Indian sheikh bought property in the vicinity and added it to the hospice property. (Other additions were made during World War II.) The result is the current sprawling hospice, which covers 7,000 square meters. The hospice properties also feature noncontiguous areas, the author later learns, including a bakery and a two-dunum mini-zoo in Bab al-Hutta with ducks, hens, peacocks, turkeys, and black swans.
Evliya bin Dervish, an Ottoman explorer, visited Palestine twice in the 17th century and wrote a travelogue in which he describes his trips in exhaustive detail. Sarna pores over the text and easily locates places he has come to know from walking those roads centuries later.